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PORTAL zine, 2018
By collecting and connecting data from their wearers we created a
new network that reveals a complex and layered system of the reality of clothing.
Transient Circle, 2018
Finding the beauty in things imperfect, impermanent and incomplete.
ASTRID ELISEE
Commissioned work
In Company Project, 2018
Art direction assistent for Studio Edelkoort
V*GUE
A magazine reader
An analysis on how the usage of social-political debates are connected to fashion images.
Love for Living Systems, 2017
Usage of ethnographic research into the nature and city landschape to create intuitively a preferable future, not the probable.
"A good clock should do something you can rely on, that does a certain action over and over again. Fashion is as time, predictable as it follows a repetitive and rigid rhythm every collection cycle. Just like time, fashion is a form of measurement, showing the beginning until the end of something. In fashion’s case, the period of blooming and decay of a trend translated into a commodified collection. Philosophically speaking, we could therefore say that fashion is also a clock."
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In Company Project, 2018
Internship at Studio Edelkoort
Commissioned work, 2016
Client Astrid Elisee
As of NÅ«, 2019
Ongoing research project on reconsidering the value and desire of the new and the old.
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Verhulde Vrijheid, 2019
Review about the Modest Fashion Exhibiton at the Stedelijk Museum Schiedam for Tubelight.
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Client Fotogram
Commissioned work, 2016 / 2018
As fashion moves in the same repetitive structure every ‘season’
collection presentation - new collection in-store - mid-season sale - final sale - collection presentation.
Or
spring/summer - autumn/winter - spring/summer - autumn/winter etcetera.
Change for the sake of novelty is the only constant, the only thing we can count on.'
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Open Call Fashion Professorship, 2020
Fashion in times of the coronacrisis, and post-crisis